
Współpracował z Sanah, a teraz nie zostawia na niej suchej nitki. Mówi o kiczu
Michał Pańszczyk postanowił ocenić wizualną stronę koncertu Sanah na Stadionie Narodowym. Artysta, który przed laty pracował z popularną piosenkarką,…
In a recent online video, Polish multidisciplinary artist and visionary, michauyuki, offered a detailed and critical review of Sanah's recent stadium concerts, sparking discussion among fans and industry observers. Uploaded on September 22, 2025, the video, titled "My opinion on Sanah's visual setting at stadiums," has garnered significant attention with over 116,000 views.Michauyuki, who identifies as a director of imagery, expressed profound disappointment with the overall visual production, stating, "It's a mix of different artists and shoddy quality, which crossed the boundaries of art." He elaborated on his concerns, highlighting what he perceived as a lack of originality and coherence in the concert's aesthetic.While commending Sanah's personal appearance and the musical arrangements, which he described as "flawless and ingenious," his critique focused heavily on the visual elements. He specifically pointed out issues with the visibility of a "mud scene," which he found "barely visible." The concert's intro was labeled "ugly" and "soulless AI-generated," lacking any "abstract element that would make it look wow." He also criticized the dancers' costumes, likening them to "12-year-olds," and the stage design, which he compared to a "Shrek's swamp hill."A central point of contention for michauyuki was the alleged appropriation of visual motifs. He claimed that elements such as "silver-plated cows" and a tractor used on stage were "poor copies" of concepts seen in performances by international artists like Beyoncé and Taylor Swift. "These motifs were already exploited to the max in previous stadiums," he asserted, arguing that such replication diminishes artistic value.Michauyuki, who stated he invested four years of his life into Sanah's artistic development, clarified that his critique was purely artistic and not a personal attack. He believes Sanah, as a "most brilliant musical artist," should focus on her musical strengths and delegate visual direction to someone with better taste. "I believe she has no taste and should not manage visual content," he concluded, expressing regret that the millions invested in the production did not result in an original and groundbreaking artistic experience.
Michał Pańszczyk postanowił ocenić wizualną stronę koncertu Sanah na Stadionie Narodowym. Artysta, który przed laty pracował z popularną piosenkarką,…